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~ fall 2oo8 ~ 
issue #11

IMAGES

steve hammond

jeneieve mcdonald

norman j. olson

rinaldo rasa

beth washburn

WORDS

shane allison

carolee bertisch

george fillingham

tina mackin

ruan wright

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archives: matthew w. beale



Her Exquisite Eyes

My ceremonial cuts form newer landscapes
in the symmetrical lines, the passive streets
through these symbols of simple notation
and the immensity of the life, ineffable
into the profoundly overlapping shadows
and the heat and loss of memory-

A dream of her exquisite eyes' redemptive river
brought the sudden bliss of the deluge
called the power of the monstrous landscapes
older grey zones, to stop and glance above
and see the long breaths of the most still clouds
some unclear vision of my youth, haunting me-

I should have just let it go, for a time-

This essential solitude slowly blossoms
subverting the spectrum & quelling the lights
finding the wind and cold thrill of music-

The enigmatic tastes of my own mythology-

This framed imperfection, an arbitrary movement
and sweet the memories, sensations that follow-

Blue becoming the perfect stillness
in this private collection of twilights
heavy breaths that I shelve and turn-

A chaos of overlapping images to help find the silence
and her eyes' perfection again rising in calm asymmetry

© matthew w. beale

 


 

fragment from my roadway sketchbook

the freeway freeze
museum & I snap
a shot
in this paper eye
of the store
where we
bought our wine
for that night
of ambivalence-
and now
I am sentenced
to speed through
with muzak’s
romance grating
from the car’s
blunt speakers
passing through
maps of movement
& memory
I glance above
the local fields
of poppy
to see
the long breaths
of the most
still clouds

-passing through Morgantown, WV 6496

 


 

 fragment from the sg8 files

turns - intersection with the empty maelstrom – words themselves crush the moment’s anesthesia - more still fruits and common gusts – the central interpenetrating frames of day – these disembodied relationships – to enter the stillness rising – a breeze enters, turns the day i dreamt her eyes, our perfection of the still point, old dreams – the commodity of souls and your innocence, a stranger, anticipates breath – dreaming the eternal, a framed stillness – and of the garden, and within the shadows of twilight and loss, book of perfection, a street frame, her eyes – simpler the eternity and the kingdom – drift down slowly out of a broken region beyond transformation – in the absence of the dreadful human cycle of contempt, spite, into the consuming breaths of god – a framed breath and the solitude, forming cages, my meter and movement – the still point – dream and movement through, the w(eigh)ait under this occupation – into this sketch movement, solitude, performance, and night – facing the fading slope – the birth, i thrust to within the purest state – lend your wavering landscapes to a calm rising breath – blue becoming the broken chaotic fragments of connection

© matthew w. beale

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